Unsuk Chin

Unsuk Chin (진은숙 ; born July 14, 1961) is a South Korean composer of contemporary classical music, who is based in Berlin, Germany.

Chin was a self-taught pianist from a young age and studied composition at Seoul National University as well as with György Ligeti at the Hochschule für Musik und Theater Hamburg.

In 1985, Chin won the Gaudeamus Foundation located in Amsterdam, with her piece Spektra for three celli, which was composed for her graduation project.

She also received an academic grant to study in Germany, where she moved that same year.

There she studied with György Ligeti at the Hochschule für Musik und Theater Hamburg from 1985 to 1988.

Her first large orchestral piece, Die Troerinnen (1986, rev.1990), for women's voices, was premiered by the Bergen Philharmonic Orchestra in 1990.

In 1988, Chin worked as a freelance composer at the electronic music studio of the Technical University of Berlin, realizing seven works.

Her first electronic piece was Gradus ad Infinitum, which was composed in 1989.

In 1991, her breakthrough work Acrostic Wordplay was premiered by the Nieuw Ensemble.

Since then, it has been performed in more than 20 countries in Europe, Asia and North America.

Chin's collaboration with the Ensemble Intercontemporain, which has led to several commissions from them, started in 1994 with Fantaisie mecanique.

Since 1995, Chin has been published exclusively by Boosey & Hawkes.

In 1999, Chin began an artistic collaboration with Kent Nagano, who has since premiered six of her works.

In 2001/2002, she was appointed composer-in-residence at Deutschen Symphonie-Orchester Berlin.

It was premiered in 2002 by Viviane Hagner.

The recipient of numerous awards, she won the 2004 Grawemeyer Award for her Violin Concerto No. 1, the 2010 Music Composition Prize of the Prince Pierre Foundation for the ensemble piece Gougalōn and the Ernst von Siemens Music Prize in 2024.

Chin's Violin Concerto No. 1 was awarded the 2004 University of Louisville Grawemeyer Award for Music Composition.

Since then, it has been programmed in 14 countries in Europe, Asia and North America, and performed, among others, by Christian Tetzlaff, the Berlin Philharmonic and Simon Rattle in 2005.

Chin was closely associated with the Seoul Philharmonic Orchestra from 2006 to 2017, at invitation from Myung-whun Chung, as their composer-in-residence and director of their Ars Nova Series for contemporary music, which she founded herself and in which more than 200 Korean premieres of central works of classical modernism and contemporary music were being presented.

Chin later became the orchestra's artistic adviser.

In 2007, she was awarded the Kyung-Ahm Prize.

Chin's works have been performed by orchestras around the world, including the Berlin Philharmonic, the New York Philharmonic, the Chicago Symphony Orchestra, the London Philharmonic Orchestra, the Los Angeles Philharmonic, and many others.

Her works have been conducted by Kent Nagano, Simon Rattle, Alan Gilbert, Gustavo Dudamel, Myung-whun Chung, Esa-Pekka Salonen, Neeme Järvi, Péter Eötvös, David Robertson and George Benjamin.

The Munich production, which has been released on DVD by Unitel, was directed by Achim Freyer, and it was selected 'Premiere of the Year' by an international critics' poll conducted in 2007 by the German opera magazine Opernwelt.

From 2011 to 2020, she oversaw the London-based Philharmonia Orchestra's Music of Today series at the invitation of its then chief conductor Esa-Pekka Salonen.

Chin has been appointed Artistic Director of the Tongyeong International Music Festival from 2022 onwards.

Chin does not regard her music as belonging to any specific culture.

Chin names Béla Bartók, Igor Stravinsky, Claude Debussy, Anton Webern, Iannis Xenakis, and György Ligeti, among others, as 20th-century composers of special importance for her.

Chin regards her working experience with electronic music and her preoccupation with Balinese Gamelan as influential for her work.

In her orchestral work Miroirs des temps, Chin has also used compositional concepts of Medieval composers, such as Machaut and Ciconia, by employing and evolving techniques such as musical palindromes and crab canons.

The texts of Chin's vocal music are often based on experimental poetry, and occasionally they are self-referential, employing techniques such as acrostics, anagrams and palindromes, all of which are also reflected in the compositional structure.

Consequently, Chin has set music to poems by writers such as Inger Christensen, Harry Mathews, Gerhard Rühm or Unica Zürn into music, and the title of Cantatrix Sopranica is derived from a nonsense treatise by Georges Perec.

However, in Kalá, Chin has also composed works with less experimental texts by writers such as Gunnar Ekelöf, Paavo Haavikko, and Arthur Rimbaud.

Troerinnen is based on a play by Euripides, and Le silence des Sirènes juxtaposes texts by Homer and James Joyce.

Playful aspects are dominant also in Chin's opera Alice in Wonderland, which is based on Lewis Carroll's classic of the same name.

The opera's libretto was written by David Henry Hwang and the composer.

Chin's music has been highlighted at the 2014 Lucerne Festival, the Festival Musica in Strasbourg, the Suntory Summer Festival, the 2013 Stockholm Concert Hall's Tonsätterfestival and at Settembre Musica in Italy.

In 2019, writers of The Guardian ranked her Cello Concerto (2009) the 11th greatest work of art music since 2000, with Andrew Clements describing it as "perhaps the most original and entertainingly disconcerting of all of [her concertos], cast in four brilliant movements that never quite conform to type".

Unsuk Chin was born in Seoul, South Korea.

She studied composition with Sukhi Kang at Seoul National University and won several international prizes in her early 20s.