Susan L. Mizruchi

Edited by Sacvan Bercovitch, the eight volumes of The Cambridge History of American Literature cover poetry, prose writing, and criticism from 1590 to the end of the twentieth century.

In a review in the Journal of American Studies, Richard Gray called The Cambridge History of American Literature "without doubt and without any serious rival, the scholarly history for our generation."

The book includes readings of Nathaniel Hawthorne's The House of the Seven Gables (1851), Henry James' The Wings of the Dove (1902), and Theodore Dreiser's An American Tragedy (1925).

Writing in the New England Quarterly, Amy Kaplan praised Mizruchi for "persuasively discovers[ing] the pressure of history everywhere, and ... acutely gaug[ing] its impact on precisely those texts that seem to float freely above historical contingency."

The other contributions to that volume are Richard H. Brodhead's "The American Literary Field, 1860–1890"; Nancy Bentley's "Literary Forms and Mass Culture, 1870–1920"; and Walter Benn Michaels' "Promises of American Life, 1880–1920."

The Rise of Multicultural America: Economy and Print Culture, 1865-1915 (University of North Carolina Press), a revised and expanded version of "Becoming Multicultural," came out in 2008.

Examining literature, photography, and advertisements produced in the half-century after the American Civil War, Mizruchi's book argues that rapid corporate capitalist development and high immigration rates fostered the idea of multiculturalism.

In a piece for The Millions, Mizruchi listed her top ten Henry James works, ranking The Portrait of a Lady (1881) number one.

Mizruchi's book covers an eclectic range of print culture, including the Civil War photography of Alexander Gardner; Albion W. Tourgée's Reconstruction-era writings; the career and writings of the Santee Sioux physician Charles Eastman; the advertisements that framed the serialized publication of Jack London's The Call of the Wild (1903) in the Saturday Evening Post; and Charlotte Perkins Gilman's feminist-utopian novel Herland (1915).

Susan Laura Mizruchi (July 13, 1959) is professor of English literature and the William Arrowsmith Professor in the Humanities at Boston University.

Her research interests include nineteenth- and twentieth-century American literature, religion and culture, literary and social theory, literary history, history of the social sciences, and American and Global Film and TV.

Mizruchi received her B.A. in English and in history from Washington University in St. Louis in 1981 and her Ph.D. from Princeton University in 1985.

Mizruchi's short story "Like a Rose Rabbi" appeared in the Winter 1983 issue of the Kansas Quarterly (now the Arkansas Review).

In 1986 she joined Boston University as an assistant professor of English.

Mizruchi’s first book, The Power of Historical Knowledge: Narrating the Past in Hawthorne, James, and Dreiser (Princeton UP, 1988), examines acts of historical narration in American literature.

She was promoted to associate professor in 1992 and full professor in 1998.

Mizruchi's second book, The Science of Sacrifice: American Literature and Modern Social Theory (Princeton UP, 1998), looks at sacrifice in American literature and social theory of the late 19th and early 20th centuries.

The book coordinates the rise of the field of sociology with literary representations of sacrifice, reading the social theory of Émile Durkheim and W. E. B. Du Bois alongside the fiction of Herman Melville and Henry James.

A feature on the book appeared in the Chronicle of Higher Education, noting Mizruchi's standing at the forefront of "a growing number of scholars who approach religion in American life through interdisciplinary study."

Nan Goodman's review in American Literature highlighted Mizruchi's treatment of literary realism, commending "Mizruchi's recognition that realism interacted with others theories of social order—the new disciplines of sociology and psychology, for example—[as] one of the many things that makes her book so significant."

In a review for the American Journal of Sociology, Alan Sica praised the book's "innovative and thickly constructed interdisciplinary writing," labeling it "excellent social theory."

The book is based on Mizruchi’s extensive research in Brando’s private archives, which she spent years tracking down after many of Brando’s belongings were auctioned off following his death in 2004.

Drawing on Brando’s personal film scripts, Mizruchi presents him as a scrupulous actor who often edited and improved his own lines, including some of his most iconic lines in On the Waterfront and The Godfather.

Furthermore, Mizruchi views the 4,000 books that made up Brando’s personal library as evidence of his intellectual curiosity and informed commitment to the civil rights movement.

Brando’s Smile garnered considerable attention in the mainstream press.

David Kirby's review in the Washington Post praised the book as a "smooth-reading and informative portrait."

Writing in the Wall Street Journal, Scott Eyman described the book as "an 'intellectual biography' of man who wasn't an intellectual in the conventional sense."

In 2005, Mizruchi’s "Becoming Multicultural: Culture Economy, and the Novel, 1860-1920" appeared in The Cambridge History of American Literature: Volume 3, Prose Writing, 1860-1920 (Cambridge UP).

In 2014, Mizruchi published a biography of Marlon Brando, Brando’s Smile: His Life, Thought, and Work (Norton).

Antonia Quirke of the Financial Times called Brando's Smile an "always interesting, addictive book," with the publication later naming it one of its Best Books of 2014.

Additionally, the book received a starred review in Booklist and coverage in the New York Times the New York Review of Books.

In August 2021, Mizruchi appeared on a podcast, Since the World's been Turning, to discuss Brando and his legacy.

Mizruchi’s Henry James: A Very Short Introduction was published by Oxford University Press in June 2021.

Publishers Weekly has praised the book's "swift, efficient approach to James’s oeuvre [as] perfect for students and general readers."

Since 2016, she has served as the director of the Boston University Center for the Humanities.

Since 2016 Mizruchi has served as the director of the Boston University Center for the Humanities (BUCH).

In 2017 she was named the inaugural William Arrowsmith Professor in the Humanities.

Among her honors and grants, Mizruchi has been awarded fellowships from the Guggenheim Foundation, the National Endowment for the Humanities, and the Fulbright Commission.

Under her directorship, BUCH has hosted forums on “Libraries and Archives in the Digital Age” (2017), “Humanities Approaches to the Opioid Crisis” (2018), and “Can We Talk: Dialogue and Debate in the Contemporary Academy” (2019).

In 2020, the Teagle Foundation awarded BUCH a grant to develop "The One & the Many at BU," a summer residential humanities program for Boston-area high school students.